With formal training in kinesiology and biomechanics, a background in dance and athletic performance, and a deeply trauma-informed approach, I treat the body as what it is for my clients — a professional instrument that demands expert care.
       My practice was built for people who push their bodies to the edge and need a practitioner who understands those demands. Athletes mid-season. Dancers between tours. Musicians whose bodies carry the weight of every performance. I read the body the way a mechanic reads an engine. I search for the source, not just the symptom.
      Every session is assessment-based, evidence-driven, and tailored to the individual. No two bodies are the same, and no two treatments should be either.